Professor Homay King, Department of History of Art, Bryn Mawr College
Fall 2026, Wednesdays 2:10-4pm
D. N. Rodowick has argued that the digital arts “are the most radical instance yet of an old Cartesian dream: the best representations are the most immaterial ones because they seen to free the mind from the body and the world of substance.” In this seminar, we will explore digital images in relation to cinema, photography, and other media. We will examine the fate of materiality, the body, and duration in 21st c. media, and consider whether or not the digital marks a significant break from the analog. Texts by Gilles Deleuze, Lev Manovich, Hito Steyerl, and others; works by Natalie Bookchin, Harun Farocki, Jacolby Satterwhite, and others. Prerequisite: at least one prior 100- or 200-level course in the History of Art or equivalent. Cross-listed with Film Studies for major/minor credit.
Fall 2026, Wednesdays 2:10-4pm
D. N. Rodowick has argued that the digital arts “are the most radical instance yet of an old Cartesian dream: the best representations are the most immaterial ones because they seen to free the mind from the body and the world of substance.” In this seminar, we will explore digital images in relation to cinema, photography, and other media. We will examine the fate of materiality, the body, and duration in 21st c. media, and consider whether or not the digital marks a significant break from the analog. Texts by Gilles Deleuze, Lev Manovich, Hito Steyerl, and others; works by Natalie Bookchin, Harun Farocki, Jacolby Satterwhite, and others. Prerequisite: at least one prior 100- or 200-level course in the History of Art or equivalent. Cross-listed with Film Studies for major/minor credit.
- Instructor of record: Homay King