Section: Supplementary Readings (all optional, suggestions for further reading) | Senior Conference I - bmc.HART.B398.001.F26

Section outline

- Select activity Andrew Zimmerman, “Primitive Art, Primitive Accumulation, and the Origin of the Work of Art in German New Guinea,” History of the Present 1, no. 1 (2011): 5-30
  
  Andrew Zimmerman, “Primitive Art, Primitive Accumulation, and the Origin of the Work of Art in German New Guinea,” History of the Present 1, no. 1 (2011): 5-30 File PDF
  
  1.3 MB · Uploaded 08/14/26, 16:21
- Select activity bell hooks “Theory as Liberatory Practice,” Yale Journal of Law and Feminism 4 (1991): 1-12.
  
  bell hooks “Theory as Liberatory Practice,” Yale Journal of Law and Feminism 4 (1991): 1-12. File PDF
  
  Students must
  
  Mark as done
  
  732.8 KB · Uploaded 08/14/26, 16:21
- Select activity Alicia Walker, “Globalism,” in Medieval Art History Today – Critical Terms, Nina Rowe, ed., special issue of Studies in Iconography 33 (2012): 183-96.
  
  Alicia Walker, “Globalism,” in Medieval Art History Today – Critical Terms, Nina Rowe, ed., special issue of Studies in Iconography 33 (2012): 183-96. File PDF
  
  Students must
  
  Mark as done
  
  3.9 MB · Uploaded 08/14/26, 16:21
- Select activity Decolonizing Art History, Art History (2020)
  
  Decolonizing Art History, Art History (2020) File PDF
  
  3.6 MB · Uploaded 08/14/26, 16:21
- Select activity Finbarr Barry Flood, “Picasso the Muslim: Or How the Bilderverbot Became Modern” RES 67/68 (2016/2017): 42-60.
  
  Finbarr Barry Flood, “Picasso the Muslim: Or How the Bilderverbot Became Modern” RES 67/68 (2016/2017): 42-60. File PDF
  
  18.2 MB · Uploaded 08/14/26, 16:21
- Select activity Michael Baxandall, “The Period Eye,” in Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (Oxford: Oxford University Press, 1988), 29-40, 56-71, and 86-102.
  
  Michael Baxandall, “The Period Eye,” in Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (Oxford: Oxford University Press, 1988), 29-40, 56-71, and 86-102. File
  
  Students must
  
  Mark as done
- Select activity Anna Chave, “New Encounters with Les Desmoiselles d’Avignon: Gender, Race and the Origins of Cubism,” Art Bulletin 76 (1994): 597-611.
  
  Anna Chave, “New Encounters with Les Desmoiselles d’Avignon: Gender, Race and the Origins of Cubism,” Art Bulletin 76 (1994): 597-611. File
  
  Students must
  
  Mark as done