Section outline

    • Please review the syllabus for more details on this course. 

    • A brown skin person sitting on a couch in front of a window.

      Akpenamawu Ayanna Haa'Shenit Ma'at Ama Gora (they/them) is a Brooklyn native currently residing in Philadelphia. They are a coporeal doula, tinker, and a transdisciplinary artist. 

       

    • Opened: Monday, August 31, 2026, 12:00 AM
      Due: Wednesday, September 30, 2026, 12:00 AM

      Complete and submit Journal 1 no later than Sep 30 (at 12 AM MIDNIGHT). 

    • Opened: Monday, August 31, 2026, 12:00 AM
      Due: Friday, December 11, 2026, 12:00 AM

      Complete and submit Journal 2 no later than Dec 11 (at 12 AM MIDNIGHT). 

    • Movement Modules: a laboratory practice that supports participants in learning the movement vocabularies needed to conduct choreographic explorations using a variety of dance and music composition methods. 

      Modules → 

      Module 1: Composing phrase 1| Sep 2

      Module 2: Composing phrase 2| Sep 23

      Module 3: Composing phrase 3 | Sept 30 

      Performance Module 1 | Composing phrase a 

      Module 5: Composing Review | Oct 7 

      Module 6: Composing phrase b | Nov 4  

      Module 7: Presentation 1| Nov 11 

      Module 8: Presentation 2 | Nov 18 

      → Performance Module 2: Performing phrase c | Nov 23 

      Module 9: Composing phrase c |Nov 30 

      Performance Module 3: tech rehearsal | Dec 3 

      Module 10: Composition Review |Dec 7 

      Performance Module 4: Final Performance | Dec 9

    • Critical Dialogue: a dialogic method that supports participants in learning methods of critical thought when making and critiquing dance, with the ability to engage in dialogic critique with both historical and technical vocabularies. 

      Liz Lehrman's Critical Response Process

    • PowerPoint Presentation for Dance Composition: Elements & Craft

    • Choreographer featured: Stefanie Batten Bland 

      Website