1) In Fahrenheit 451, one big set of coordinates that appears is coercion. At the time the events are happening, the population requires overall less coercion to accept the censorship and banning of books that's going on. However, the element of coercion is still present in how books are burnt when discovered and the criminalization of owning books at all. The coordinate that interests me the most is probably context, mainly because I don't understand it as much as the others.
2) Page 45 says, "Wilt thou teach man the unblessed art of judging his brother by the ambiguous expressions of his countenance?" The ambiguity of facial expressions could lead to incorrect assumptions of character, which is a thought I had from the start of this reading. Because everyone is different (as Lavater goes through great lengths to state), it doesn't make sense to assume that someone's face automatically portrays some characteristic.
3) Plate XXXIV (pg. 216) has two drawings of lions. It's in the section titled "Observations of Some Animals". The drawings look very cartoonish and goofy, so I don't understand why Lavater describes the lion as "majestic" and the lioness as "insidious". Because, the brows of the lion look slightly more furrowed, I'd be more inclined to call that one insidious.
