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BURBANK crossed a little bridge | |
Descending at a small hotel; | |
Princess Volupine arrived, | |
They were together, and he fell. | |
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Defunctive music under sea | 5 |
Passed seaward with the passing bell | |
Slowly: the God Hercules | |
Had left him, that had loved him well. | |
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The horses, under the axletree | |
Beat up the dawn from Istria | 10 |
With even feet. Her shuttered barge | |
Burned on the water all the day. | |
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But this or such was Bleistein’s way: | |
A saggy bending of the knees | |
And elbows, with the palms turned out, | 15 |
Chicago Semite Viennese. | |
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A lustreless protrusive eye | |
Stares from the protozoic slime | |
At a perspective of Canaletto. | |
The smoky candle end of time | 20 |
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Declines. On the Rialto once. | |
The rats are underneath the piles. | |
The jew is underneath the lot. | |
Money in furs. The boatman smiles, | |
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Princess Volupine extends | 25 |
A meagre, blue-nailed, phthisic hand | |
To climb the waterstair. Lights, lights, | |
She entertains Sir Ferdinand | |
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Klein. Who clipped the lion’s wings | |
And flea’d his rump and pared his claws? | 30 |
Thought Burbank, meditating on | |
Time’s ruins, and the seven laws. | |
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