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  2. Identification in the Cinema - bmc.HART.B235.001.F26
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  4. Readings and Resources

Readings and Resources

Readings and Resources

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    • Althusser- Ideology and Ideological State Apparatuses-Excerpts.pdf Althusser- Ideology and Ideological State Apparatuses-Excerpts.pdf
    • Arnheim_Film and Reality.pdf Arnheim_Film and Reality.pdf
    • Barthes-Mythologies-5.pdf Barthes-Mythologies-5.pdf
    • Baudry_The Apparatus.pdf Baudry_The Apparatus.pdf
    • Bordwell_The Art Cinema as a Mode of Film Practice.pdf Bordwell_The Art Cinema as a Mode of Film Practice.pdf
    • Chatman-10_7_Il_provino_and_Blow-Up_page_136.pdf Chatman-10_7_Il_provino_and_Blow-Up_page_136.pdf
    • Commodity and Spectacle.docx Commodity and Spectacle.docx
    • Dayan_Tutor-Code of Classical Cinema.pdf Dayan_Tutor-Code of Classical Cinema.pdf
    • Diawara_Black Spectatorship.pdf Diawara_Black Spectatorship.pdf
    • Doane_The Voice in the Cinema.pdf Doane_The Voice in the Cinema.pdf
    • Dyer_The Matter of Images_White.pdf Dyer_The Matter of Images_White.pdf
    • Gunning_An Aesthetic of Astonishment.pdf Gunning_An Aesthetic of Astonishment.pdf
    • Harman_Semiotics and the Cinema.pdf Harman_Semiotics and the Cinema.pdf
    • HART 235_Friday session comparative clips.docx HART 235_Friday session comparative clips.docx
    • hooks_The Oppostitional Gaze.pdf hooks_The Oppostitional Gaze.pdf
    • Laplanche and Pontalis-Identification and Phantasie-The Language of Psychoanalysis.docx Laplanche and Pontalis-Identification and Phantasie-The Language of Psychoanalysis.docx
    • Metz_The Imaginary Signfier_excerpts.pdf Metz_The Imaginary Signfier_excerpts.pdf
    • Mulvey_Visual Pleasure and Narrative Cinema.pdf Mulvey_Visual Pleasure and Narrative Cinema.pdf
    • Nishime_The Mulatto Cyborg.pdf Nishime_The Mulatto Cyborg.pdf
    • Rich_The New Queer Cinema_Directors Cut.pdf Rich_The New Queer Cinema_Directors Cut.pdf
    • Sigmund Freud-Identification.docx Sigmund Freud-Identification.docx
    • Silverman, Suture-The Cinematic Model The Subject of Semiotics.docx Silverman, Suture-The Cinematic Model The Subject of Semiotics.docx
    • The Conversation at 50 Why the paranoid thriller is more relevant than ever.pdf The Conversation at 50 Why the paranoid thriller is more relevant than ever.pdf
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